Writer: Rukhsana Ahmad

About the writer

Song for a Sanctuary’ was written by Rukhsana Ahmad and performed in 1992. Ahmad based her script on the true story of Balwant Kaur, a woman who was murdered by her husband in 1985. When actor/director Rita Wolf heard that Ahmad was writing this play, she suggested they produce it together. They received an Arts Council grant and set up Kali Theatre Company with Song for a Sanctuary as their first production.

The cast of Song for a Sanctuary included: Kusum Haider as Rajinder, Jackie Cowper as Sonia, Rita Wolf as Kamla, Susan McGoun as Eileen, Sanny Bharti as Savita and Simon Nagra as Pradeep. Jamila Massey played the role of Rajinder in the second half of the tour.

Rukhsana Ahmad’s play about marital violence is an intelligent, absorbing study of an Asian woman trapped in tradition. Director Rita Wolf draws warm, convincing performances from the actors. Too many issue-centred dramas lack the complex ring of truth, but this is an absorbing exception.
– The Independent

Directed by Rita Wolf





Dramatic Encounters was presented in partnership with Oval House.

Relatively Sane tells the story of a young Asian woman Sunie and her fierce battle to come to terms with the lunatic world around her.

Directed by Anne Edyvean

I WON’T LET YOU GO by Sangeeta Datta
Nisha travels to India in search of her mother Maya… but is her surprise visit really welcome?

Directed by Arti Prashar

DAAG DAAG UJAALA by Shahida Omarshah
Amidst the communal violence of the Partition, two women struggle. Beti fears for the safety of her baby but her commitment to a woman she does not want to betray forces her to risk everything.

Directed by Deborah Bestwick

Fate is playing an active part in trying to bring together two lovers who met in previous lives. Can it succeed against the odds of their brittle 1997 lives?

Directed by Olusola Oyleye

THE ECSTASY by Anu Kumar
A poetic drama about a relationship between an upper class Asian sculptor Anthony and his nude Liverpudlian model Jackie – but how does Krishna fit into their lives?

Directed by Ravi Kapoor

As Jasmine and David eat at a restaurant, the goddess Kali and a nun engage in a battle for their souls.

Directed by Helena Bell




Writer: Rukhsana Ahmad

About the writer

Meeting the Sphinx by Rukhsana Ahmad was a rehearsed reading of a work in progress which tells the story of a challenging encounter between a reputable middle-aged Egypologist and Ms Happy Dossa, a fairly young woman whose appearance is racially unclassifiable, against a backdrop of student unrest at a London University.

Directed by Helena Bell





Kali’s second production Natural World tells the story of Benita, a teenager who loses her Bengali mother at an early age to cancer and her father, an Italian jazz musician, who forsakes playing due to an injury. Written by Joyoti Grech, the play discusses the themes of love and loss as Benita begins to explore her own sexuality with friend and classmate Laura Lee, while her father is forced to cope with his own loss and the changes that are confronting his family.

The cast of Natural World include: Nathalie Armin as Laura Lee and Radhika, Ravin Ganatra as Beppe and Martin and Nina Wadia as Benita and Angie. The production team included: Set Designer, Carla Eve Amie, and Lighting Director, Crin Claxton.

Natural World toured in 1997 to the following venues: Oval House and the Tara Arts Studio in London and nationwide, at the Theatre In The Mill, Bradford, The Gantry in Southampton, Haymarket Studio in Leicester, The Drum in Birmingham, Redgrave Theatre in Bristol and the Hawth Theatre in Crawley.

Directed by Anne Edyvean




Writer: Anu Kumar

About the writer

Love Comes in at the Window was Kali Theatre Company’s first double-bill production featuring The Ecstasy by Anu Kumar and Black Shalwar by Rukhsana Ahmad.

The Ecstasy depicts the relationship between three people, Amit, a sculptor, Jackie, an older woman who becomes Amit’s model and friend, and Sanjay, his boyfriend. It deals with themes of love, friendship and homosexuality.

Writing, direction and cast combine to create a compelling rhythm that neatly captures the sustained concentration… Clearly a knock-out production.
– The Stage

Directed by Helena Bell




Writer: Rukhsana Ahmad

About the writer

Rukhsana Ahmad’s adaptation of Saadat Hasan Manto’s short story ‘Kali Shalwar’ is set in pre-partition India and explores the life of Sultana, a prostitute, whose attempts at finding love are unsuccessful.

The cast of The Ecstasy and Black Shalwar include: Ashvin Kumar Joshi as Sankar, Adele Salem as Sultana and Royce Ullah as Khuda Buksh.

The production team for Love Comes in at the Window include: Set Designer, Sophia Lovell Smith and Lighting Designer, David Lawrence.

Love Comes in at the Window played in London at the Oval House, and toured in 1999 to the following venues: the Harrow Arts Centre, Watermans Art Centre in Brentford, The Mill Arts Centre in Banbury, The South Street Arts Centre in Reading, The Chipping Norton Theatre, Maltings Arts Centre in St. Alban’s, The Gantry in Southampton, Bowen West Theatre in Bedford, Darlington Arts Centre in Darlington, Live Theatre in Newcastle-Upon Tyne, Queen Elizabeth Hall in Bristol and the Hawth Theatre in Crawley.

Directed by Helena Bell





Meri Kahani (My Story) was funded by the Millennium Festival Commission and was produced in partnership with Southall Black Sisters (SBS), a London based women’s organisation which helps victims of domestic violence.

Meri Kahani took place at Watermans Arts Centre, and was the result of a series of creative writing workshops for SBS members in which participants were paired with experienced writers who served as their mentors.

The stories that emerged from the workshops, both in English and South Asian languages, were dramatised and performed by actors, and in some cases the writers themselves.

The stories featured are: ‘Veil’ by Yasmin Khan, ‘A True Story’ by Fiaz Ghaus, ‘Shazia’s Story’ by Samia Khan, ‘Goodnight Butterfly’ by Manjinder Virk, ‘A Journey to the Unknown’ by Fayeeza Hanoush, ‘A Letter to my Mother’ by Norma Lloyd, ‘Meri Kahani’ by Joginder Kaur, ‘Relatively Sane’ by Parm Kaur, ‘Woh Kaisa Chor Tha’ by Bobbie Wasson, ‘Tea & Jalebies’ by Bettina Gracias, ‘Lingerie’ by Freda Obado, ‘A Quick Chat’ by Kam Dhenjan and ‘The Dirty Mattress’ by Rahila Gupta. The event took place at the Waterman Arts Centre in Middlesex.

Directors: Helena Bell, Shakila Maan, Parminder Sekhon, Rita Wolf

Cast included: Seema Bowri, Deni Frances, Nitin Ganatra, Shivani Ghai, Harmaje Singh Kalirai, Joginder Kaur, Parminder Sekhon, Norma Lloyd, Bobbie Wasson

Dramaturg: Penny Gold

A sparkling comedy with a delicious touch of irony set in the eighties.

Mrs Singh has discovered the liberating effect of dancing. Her son Tej disapproves of this ‘low life activity’. He is obsessed with becoming a doctor and cutting things up. Her daughter Cassie hates the idea of her parents’ liberation and demands an arranged marriage. Mr. Singh, who induced his wife’s new passion for dance to help her integrate, is now weary of her enthusiasm and desperate to find a way out of a local dance competition. He conspires with Tej and fakes an illness. Depressed, Mrs Singh persuades her son to dance with her instead. In a final attempt to retain respectability Mr. Singh tries to move the whole family back to India; an idea greeted with horror by everyone. After many twists and turns the play ends with Mr and Mrs Singh winning the dance competition and Cassie managing to arrange her own marriage.

Directed by Caroline Ward




Writer: Bapsi Sidhwa

About the writer

A bittersweet comedy about love, loyalties and need to belong.

Feroza is blissfully happy.  She’s in love and wants to marry her Jewish boyfriend, David.  But, her family is not so ecstatic. They want her to follow tradition and settle down with a nice Parsee (Zoroastrian) boy.

So, spurred on by the family grandmother, a forceful matriarch, Feroza’s mother is despatched to London from Karachi to win over her daughter with sweet words. Here, she is torn between love for her daughter and her duty to family and faith. But her attempts to spoil Feroza’s relationship with David backfire, as he is provoked into reasserting his own cultural roots.

Sock ‘em With Honey toured to The Cockpit Theatre, London and MAC Birmingham.

Directed by Janet Steel

Designer: Penny White

Music: Sayan Kent

Intrepid plays
by fearless women
since 1991


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